It is absolutely essential to re-examine 1980's painting and, more specifically, the role played by borrowings and quotations played in that movement. French historiography often interprets them in light of the international "back to figuration" phenomenon, which, for the most part, was poorly received. The “academic art painting” and “post-modernity” concepts convey the idea of excessive attachment to the past and of alienation from the creative act. In the light of this narrow view, it would appear necessary to re-evaluate the French art scene and its dialogue with the art of the past from a different perspective.
This study of singular works is enriched by numerous recent interviews with this art scene's leading actors – artists and art professionals. This addition, as well as the time lapse involved, have allowed the author to present some highly original, and more dispassionate ideas which will hopefully enhance the rewriting of late 20th-century art history.

Amélie Adamo, whose PhD is in Art History, is a specialist in the study of transmission, time and memory in late 20th-century painting. In addition to her activity as an art critic, she teaches History of Contemporary Art to university and art school students.